[Mexico-Guatemala]
[Guatemala]
[Guadaloupe]
[Guatemala]
[Guatemala-USA]
[Guatemala]
[Spain]
[Haiti-USA]
[Guatemala]
[Guatemala]
[Cuba-USA]
[Catalonia]
[United States]
[Colombia]
[Brazil-Colombia]
[Spain]
[Dominican Republic]
[Guatemala]
[Brazil]
[Panama]
[Guatemala]
[Cuba – USA]
[Chile]
[Guatemala]

Adler Guerrier

(Haiti-United States l 1975)

Adler Guerrier creates a visual dialogue between a “Wunderkammer” of materials and multiple techniques. Guerrier improvises between form and function to nimbly subvert space and time in constructing race, ethnicity, class, and culture. He calls upon the democratizing nature of collage and the authority of formal composition to designate to art history an axis of contemporary identity critique. Guerrier often chronicles the hybridity and juxtaposition in his immediate environs. He practices a contemporary “flaneurie” in an impending age of post-demography.

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